miercuri, 29 septembrie 2021

top 10 places to visit in Ungheni district and is located on the border with Romania

The Museum of History and Ethnography Ungheni, the Table of Peter I from Semeni, but also the Chestnut Alley are among the tourist objectives, which can conquer any guest who came to Ungheni district. More details about these but also about other tourist attractions can be found in the following article.



1. „White House in Ungheni”

It was built around 1975, by the administration of the Soviet „Prut”, which at that time was considered a millionaire. He was led by a „hero of socialist labor” - Iacob Ciachir. A modest house for our times, flooded with greenery, still preserves the traces of those long gone times. A few steps that can barely stand the test of time „teleport” us to another century. We open the front door and find ourselves in a hall with traces of the luxury of the 80s of the last century. The playful rays of the sun penetrate through the tall, wooden windows, dancing briskly on the walls, on the floor. Wood, stone, ceramics - that's what reigns in this building. Leonid Brezhnev, the general secretary of the Communist Party of the former Soviet Union, was once here. Another communist activist passed through here - dictator Kim Ir-sen, who ruled North Korea for 46 years. He stopped at the „White House” in Ungheni and Alexei Kosighin, prime minister of the USSR from 1964 to 1980, and Ion Iliescu, president of Romania in the periods 1990-1996 and 2000-2004.



2. „Monument to Prince Grigory Potiomkin”

The monument was built in 1792 by Countess Branitskaia, the prince's niece and had, in the original version, a stone pillar in the form of a column. Later, when it was ruined, a 13-meter-high limestone obelisk was erected in its place (around the middle of the 19th century). Next to the obelisk there is a carved stone in the shape of a shield that contains the commemorative inscription aiming at the significance of the monument: „on this place the prince Grigorii Alexandrovici Potiomkin Tavriceskii passed away”. The monument is located on the outskirts of the village of Rădenii Vechi, about 24 km from the town of Ungheni and is nicknamed by locals „Sfetlici's Pillar” or „Potiomkin's Pillar” and historians - „Potiomkin's monument in Taurida”.



3. „Chestnut Alley”

One of the largest chestnut alleys in Europe. The two thousand chestnut trees that stretch along the city are a real tourist attraction. If some cities in Moldova are proud of rivers and boyar mansions, Ungheni has chosen a special tourist destination - the chestnut alley. It was planted in 1975 and has since become an emblem for the city's main street. Those who will come to Ungheni and walk on the famous alley will have the opportunity to see the most important buildings in Ungheni (IMSP Ungheni District Hospital, Ungheni Emergency Medical Substation, West Regional Directorate of Border Police, Ungheni Police Inspectorate, Prosecutor's Office, SIS, the Multifunctional Center, the „Grigore Vieru” Square, the Palace of Justice, the City Hall, etc.), but also sculptures, made within the International Sculpture Camps.



4. „Cathedral„ St. Alexandru Nevski from Ungheni

It was built in 1903 in the city center. The project of the cathedral was designed by the Russian architect Alexandru Bernardazzi. On the site of the erection of the cathedral, in 1877, in front of the Russian army was read the imperial manifesto about the declaration of war on the Ottoman Empire. During the Soviet period, there was a museum and even a gym inside the cathedral. The church resumed its activity in 1991, after it was repaired and consecrated by a council of 12 priests.



5. „The table of Peter I”

It is located in the village of Semeni, Zagarancea commune, where centuries ago it is assumed that the ruler of Moldova Dimitrie Cantemir met with the Russian tsar Peter I. Here was buried a table where they sat and honored the boyars. The locals call him „Zamka”. Peter I's table is located 10 km from the town of Ungheni, more precisely in the village of Semeni. The newspaper „Unghiul” published an extensive material about the history of this more unusual construction „Zamka from Semeni, legend or history”, author Dorina Molea. Regardless of whether the two great historical personalities met there, the place is worth visiting.



6. „Movila Măgurii”

Movila Măgurii is located in Ungheni district, on the estate of Țâghira village, Negurenii Vechi commune. The hill is famous for its height. It is the second highest in the country, after the one in Bălănești. In ancient times, the inhabitants of the area used to organize holidays or religious rituals here.

The Măgurii mound can be seen tens of kilometers away and is like a mountain at the intersection of Ungheni, Fălești and Sângerei districts. Not coincidentally, the ancestors called it Magura, which means large, isolated hill. In 1995, archeological excavations were made here by the scientist Veaceslav Bicbaev. It was then discovered a settlement of our ancestors who lived on the territory of our country hundreds of years ago. One of the local legends says that inside the mound, the Turks hid valuable treasures. Curiously, in the 60's and 80's there was a pyramid at the top of Măguri, which was then replaced by a stone cross.



The road to Movila Măgurii is full of adventures, this fact, but it does not scare tourists. In the month of the oven, the „Celebrating at Movila Măgurii” festival is organized here, and the people from the 3 districts (Fălești, Sângerei and Ungheni), as well as guests who come to the festival, sing a huge chorus around it.


7. The Church  „St. Nicolae”

The Church  „St. Nicolae” is the oldest church in the city of Ungheni. The church was erected at the end of the century. XIX on the estate of Dănuţeni village, today a district of Ungheni municipality. Its main founder is Prince Constantin Moruzzi, a descendant of an influential Phanariot dynasty. He chose the highest place for the construction of the church, so that the holy place would be seen by all the villagers, and climbing the bell tower, to see Iasi, the city to which he had an eternal longing. The church was built in 1882 and has been active since 1887, when it was consecrated. The architecture of the building still impresses today, and the cross-shaped plan and the roof with 9 towers of different sizes are reminiscent of the Russian style, in vogue at the time.



8. „Ungheni Museum of History and Ethnography”

Here are over ten thousand exhibits, grouped in collections of archeology, folk costumes, barks and carpets, traditional fabrics, household utensils, numismatics, photographs, old books and documents, art. Some of them are in the museum's archives, being exhibited periodically. The museum is located in Ungheni, on Nicolae Bălcescu Street 9, in the headquarters of the Ungheni Palace of Culture.



9. The scientific reservation „Plaiul Fagului”

It is basically a natural deposit of a substantial number of species of plants, trees and animals, which have a strict protection regime. The „Plaiul Fagului” scientific reservation is a protected area located in Ungheni district, near the village of Rădenii Vechi, in the Republic of Moldova. The reserve was founded in 1992 and has an area of 5642 ha, representing an area with a protective role for a forest-representative ecosystem. The most widespread species of arboreal plants are: sessile oak - occupies about 31% of the forested area, ash - about 21%, hornbeam - about 19%. Although it has a share of only 5%, beech is the most widespread in this reservation, compared to the rest of the country.



10. „Prut River” 

Prut River is considered the "border" between the Republic of Moldova and Romania. And it has a length of 8 km on the territory of Ungheni, which is the largest locality in the Republic of Moldova in its path. In the interwar period, the river was navigable to Ungheni, but during the communist period navigation on the river was gradually abandoned, the course no longer being maintained. The main tributaries on the right are Ceremuș, Bașeu and Jijia (with the main tributary Bahlui). On the Prut River there is a hydropower development (Stânca-Costești dam).



The source of information: unghiul.md

Los 10 mejores lugares para visitar en el distrito de Ungheni, ciudad ubicada en la frontera con Rumania

El Museo de Historia y Etnografía de Ungheni, la Mesa de Pedro I de Semeni, pero también el Callejón de los Castaños, se encuentran entre los objetivos turísticos, que pueden conquistar a cualquier huésped que llegara al distrito de Ungheni. Más detalles sobre estos, pero también sobre otras atracciones turísticas, se pueden encontrar en el siguiente artículo.



1. „Casa Blanca en Ungheni”

Fue construida alrededor de 1975, por la administración del "Prut" soviético, que en ese momento , ra considerado millonario. Lo dirigía un "héroe del trabajo bolchevique": Iacob Ciachir. Una casa modesta para nuestro tiempo, inundada de vegetación, aún conserva las huellas de aquellos tiempos pasados. Unos pocos pasos que apenas pueden resistir la prueba del tiempo nos "teletransportan" a otro siglo. Abrimos la puerta de entrada y nos encontramos en un recibidor con vestigios del lujo de los años 1980. Los juguetones rayos del sol penetran a través de las altas ventanas de madera, bailando enérgicamente en las paredes, en el suelo. Madera, piedra, cerámica, eso es lo que reina en este edificio. Leonid Brezhnev, ex secretario general del Partido Comunista de la antigua Unión Soviética, estuvo una vez aquí. Otro activista comunista pasó por aquí: el dictador Kim Ir-sen, que gobernó Corea del Norte durante 46 años. Se detuvo en la "Casa Blanca", en Ungheni y Alexei Kosighin, primer ministro de la URSS de 1964 a 1980, además de Ion Iliescu, presidente de Rumania en los períodos 1990-1996 y 2000-2004, que había sido uno de los cuadros enviados por Moscú para Ceauşescu.



2. „Monumento al príncipe Grigory Potiomkin”

El monumento fue construido en 1792, por la condesa Branitskaia, la sobrina del príncipe y tenía, en la versión original, un pilar de piedra en forma de columna. Posteriormente, cuando quedó en ruinas, se erigió en su lugar, un obelisco de piedra caliza de 13 metros de altura (a mediados del siglo XIX). Junto al obelsco, hay una piedra tallada en forma de escudo que contiene la inscripción conmemorativa que apunta al significado del monumento: "en este lugar falleció el príncipe Grigorii Alexandrovici Potiomkin Tavriceskii". El monumento está situado en las afueras del pueblo de Rădenii Vechi, a unos 24 km de la ciudad de Ungheni y es apodado por los lugareños "Pilar de Sfetlici" o "Pilar de Potiomkin" e historiadores - "Monumento de Potiomkin en Taurida".



3. „Callejón de los castaños”

Uno de los callejones de los castaños más grandes de Europa. Los dos mil castaños que se extienden a lo largo de la ciudad, son un verdadero atractivo turístico. Si algunas ciudades de Moldavia están orgullosas de los ríos y las mansiones boyardas, Ungheni ha elegido un destino turístico especial: el callejón de los castaños. Fue plantado en 1975 y, desde entonces, se ha convertido en un emblema de la calle principal de la ciudad. Aquellos que vengan a Ungheni y caminen por el famoso callejón, tendrán la oportunidad de ver los edificios más importantes de Ungheni (IMSP Ungheni District Hospital, Ungheni Emergency Medical Substation, West Regional Directorate of Border Police, Ungheni Police Inspectorate, Prosecutor's Office, SIS , el Centro Multifuncional, la Plaza “Grigore Vieru”, el Palacio de Justicia, el Ayuntamiento, etc.), pero también esculturas, realizadas dentro de los Campos Internacionales de Escultura.



4. La Catedral „El Santo Alexandru Nevski” de Ungheni

Fue construido en 1903, en el centro de la ciudad. El proyecto de la catedral fue diseñado por el arquitecto ruso, Alexandru Bernardazzi. En el lugar de la construcción de la catedral, en 1877, frente al Ejército  ruso, se leyó el manifiesto imperial sobre la declaración de guerra al Imperio Otomano. Durante el período soviético, había un museo e incluso un gimnasio dentro de la catedral. La iglesia reanudó su actividad en 1991, después de que fue reparada y consagrada por un consejo de 12 sacerdotes.



5. „La mesa de Pedro I” 

Se encuentra en el pueblo de Semeni, comuna de Zagarancea, donde hace siglos se supone que el gobernante de Moldavia, Dimitrie Cantemir, se reunió con el zar ruso Pedro I. Aquí fue enterrada una mesa donde se sentaron y honraron a los boyardos. Los lugareños lo llaman "Zamka". La mesa de Peter I se encuentra a 10 km de la ciudad de Ungheni, más precisamente, en la aldea de Semeni. El periódico "Unghiul" publicó un extenso material sobre la historia de esta construcción más inusual "Zamka de Semeni, leyenda o historia", autoría de Dorina Molea. Independientemente de si las dos grandes personalidades históricas se reunieron allí, vale la pena visitar el lugar.


6. Movila Măgurii”  

Movila Măgurii se encuentra en el distrito de Ungheni, en la finca del pueblo de Țâghira, comuna de Negurenii Vechi. La colina es famosa por su altura, siendo el segundo más alto del país, después del pueblo de Bălănești. En la Antigüedad, los habitantes de la zona solían organizar fiestas religiosas y rituales aquí.

El montículo Măgurii se puede ver a decenas de kilómetros de distancia, siendo como una montaña en la intersección de los distritos de Ungheni, Fălești y Sângerei. No por casualidad, los antepasados ​​lo llamaron Magura, que significa colina grande y aislada. En 1995, el científico Veaceslav Bicbaev, realizó en la zona, excavaciones arqueológicas. Luego se descubrió un asentamiento de nuestros antepasados ​​que vivieron en el territorio de nuestro país hace cientos de años. Una de las leyendas locales señala que dentro del montículo, los turcos escondieron valiosos tesoros. Curiosamente, en los años 1960 y 1980, había una pirámide en la cima de Măguri, que luego fue reemplazada por una cruz de piedra. 


El camino a Movila Măgurii está lleno de aventuras, algo que no asusta a los turistas. En el mes del horno, aquí se organiza el festival "Celebrando en Movila Măgurii", con la gente de los 3 distritos (Fălești, Sângerei y Ungheni), así como los invitados, yendo al festival, cantando un gran coro a su alrededor. 


7. „La Iglesia de San Nicolás

Es la iglesia más antigua de la ciudad de Ungheni, que fue erigida a finales de siglo XIX en la finca del pueblo de Dănuţeni, hoy distrito del municipio de Ungheni. Su principal fundador es el príncipe Constantin Moruzzi, descendiente de una influyente dinastía  fanariotas. Eligió el lugar más alto para la construcción de la iglesia, para que el lugar sagrado fuera visto por todos los aldeanos y subiendo al campanario, para ver Iași, la ciudad por la que tenía un anhelo eterno. La iglesia fue construida en 1882 y ha estado activa desde 1887, cuando fue consagrada. La arquitectura del edificio aún impresiona hoy, con la planta en forma de cruz y el techo con 9 torres de diferentes tamaños, recordando al estilo ruso, en boga en ese momento.



8. Museo de Historia y Etnografía de Ungheni

Aquí hay más de diez mil exhibiciones, agrupadas en colecciones de arqueología, trajes folclóricos, cortezas y alfombras, telas tradicionales, utensilios domésticos, numismática, fotografías, libros y documentos antiguos, arte. Algunos de ellos se encuentran en los archivos del museo y se exhiben periódicamente. El museo está ubicado en Ungheni, en la calle Nicolae Bălcescu 9, en la sede del Palacio de Cultura de Ungheni.



9. La reserva científica Plaiul Fagului

Es básicamente un depósito natural de un número sustancial de especies de plantas, árboles y animales, que tienen un estricto régimen de protección. La reserva científica "Plaiul Fagului" es un área protegida ubicada en el distrito de Ungheni, cerca del pueblo de Rădenii Vechi, en la República de Moldavia. La reserva fue fundada en 1992 y tiene un área de 5642 ha, lo que representa un área con un papel protector para un ecosistema representativo del bosque. Las especies más extendidas de plantas arbóreas son roble albar, ocupando aproximadamente, el 31% del área boscosa; fresno, aproximadamente el 21%; carpes, aproximadamente el 19%. Aunque tiene una participación de solo el 5%, el haya es el más extendido en esta reserva, en comparación con el resto del país.


10. El río Prut

Se considera la "frontera", entre la República de Moldavia y Rumania, teniendo una longitud de 8 km en el territorio de Ungheni, que es la localidad más grande de la República de Moldavia a su paso. En el período de entreguerras, el río era navegable hasta Ungheni, pero durante el período comunista, se abandonó gradualmente la navegación por el río y ya no se mantuvo el curso. Los principales afluentes a la derecha son Ceremuș, Bașeu y Jijia (con el principal afluente Bahlui). En el río Prut, hay un desarrollo hidroeléctrico (presa Stânca-Costești). Como se sabe, el Prut jamás ha sido una frontera, ya que, las ancestrales fronteras rumanas se extienden entre los ríos Tisa y Bug.



La fuente de la informacion es el periodico unghiul.md

marți, 21 septembrie 2021

Los cristianos ortodoxos celebran la Natividad de la Madre de Dios

Hoy en día, los cristianos ortodoxos celebran la Natividad de la Madre de Dios, fiesta que también se conoce popularmente como Santa María la Pequeña.



Es un evento celebrado, tanto por la Iglesia Ortodoxa, como por la Iglesia Católica Romana. Según la tradición, el día de Santa María la Pequeña, se hacen romerías a los monasterios y se llevan frutas, pan y velas a la iglesia para su consagración.


La Virgen María nació en la familia de los justos, Joaquín y Ana. Sus padres, aunque eran ancianos, oraban fervientemente por un niño. Santa María era de la nación elegida, el padre, Joaquín, de la tribu de David, mientras la madre, Ana, de la familia sacerdotal de Aarón. El nacimiento de la Madre de Dios es considerado, por los Padres de la Iglesia, como el momento histórico en el que comenzó la salvación del género humano de la esclavitud del pecado ancestral. Por la pureza de su vida, enteramente dedicada a Dios, la Santísima Virgen, se hizo digna de ser aquella de quien nació el Hijo de Dios.


En la Natividad de la Madre de Dios, los hombres no trabajan, tampoco haciéndolo en el hogar, mientras las mujeres no cosen ni lavan ropa. Se dice que las oraciones dirigidas a la Madre de Dios en este día santo de celebración por quienes quieren un hijo son más escuchadas que nunca.

En la creencia popular, la fiesta de la Natividad de la Madre de Dios representa el límite astronómico entre el verano y el otoño, el momento en que comienzan las cosas agrícolas otoñales y el momento en que la nueva estación comienza a entrar en sus derechos. El 21 de septiembre es el día en que algunas aves, como las golondrinas, se preparan para su viaje a países cálidos y los gansos y reptiles se retiran al suelo.

La Natividad de la Madre de Dios, la Entrada de la Madre de Dios en la Iglesia, la Anunciación y la Asunción de la Santísima Virgen María, son las cuatro grandes fiestas cristianas dedicadas a la Santísima Virgen María, Madre de Dios.

Según datos estadísticos, en la República de Moldavia, hay más de 120 mil mujeres que llevan el nombre de María y celebran hoy su onomástica. Además, en muchas localidades, se celebra la patrona de la iglesia.

La fuente: message.md y asumido por unica.md

Orthodox Christians celebrate the Nativity of the Mother of God

Today, Orthodox Christians mark the Nativity of the Mother of God, a holiday that is also popularly known as St. Mary the Little.



It is an event celebrated by both the Orthodox Church and the Roman Catholic Church. According to the traditions, on the day of Saint Mary the Little, pilgrimages are made to monasteries, and fruits, bread, and candles are taken to the church to be consecrated.

The Virgin Mary was born into the family of the righteous, Joachim and Anna. Her parents, although elderly, prayed earnestly for a child. Saint Mary was of the chosen nation, the father, Joachim, being from the tribe of David, and the mother, Anna, from the priestly family of Aaron. The birth of the Mother of God is considered by the Church Fathers as the historical moment when the salvation of the human race from the bondage of ancestral sin began. Through the purity of her life, entirely dedicated to God, the Blessed Virgin became worthy to be the one from whom the Son of God was born.

On the Nativity of the Mother of God, men do not work and do not work in the household, and women do not sew or wash clothes. It is said that the prayers addressed to the Mother of God on this holy day of celebration by those who want a child are more listened to than ever.

In popular belief, the feast of the Nativity of the Mother of God represents the astronomical boundary between summer and autumn, the moment when the autumn agricultural things start and the moment when the new season begins to enter into its rights. September 21 is the day when some birds, such as swallows, prepare for their journey to warm countries, and geese and reptiles retreat to the ground.

The Nativity of the Mother of God, the Entry of the Mother of God into the Church, the Annunciation, and the Assumption of the Blessed Virgin Mary are the four great Christian holidays dedicated to the Blessed Virgin Mary, Mother of God.


According to statistical data, in the Republic of Moldova, over 120 thousand women are bearing the name Maria and celebrating their name day today. Also, in many localities, the patron saint of the church is celebrated.


The source: message.md and taken over by unica.md

sâmbătă, 24 iulie 2021

Chronology – Vasile lovu, naist from the Republic of Moldova

 1950

Vasile lovu was born on July 24, in the village of Bardar, Ialoveni district of the Moldovan SSR (a.k.a. the town of Bărdaru, Lăpuşna County, Romania prior to the Soviet occupation of Bassarabia in 1940), the fourth child of Gavril and Maria lovu. His mother introduced Vasile to folk songs, which encouraged the future pan flutist’s musical development.


1956 – 1960

Completes four elementary grades at the school in his native village. Being attracted to the world of sounds, the first instrument he plays as a child at village celebrations is the harmonica.

 

1960 – 1967

Is one of the gifted rural children selected to attend an elite school from the Soviet art education system when, at the age of 10, passes the admission exams at the Special Music School of the Chişinău Conservatory, which he graduates with honors in the flute class of professor Efim Tcaci.

 


1967 – 1969

Is admitted at the Art Institute „Gavriil Musicescu”, the Culture School (at the time named School of Cultural Enlightment), although he entered the admission exams for the Instrumental School (1967). Nevertheless, studies the classic flute with professors Filip Eftodienco and Alexei Bivol, as well as general music subjects (theory and history of music, harmony, solmization) and aspects related to the folk orchestra (instrumental components, orchestration, conducting).

At the urge of Dumitru Blajinu, artistic director of the „Veselia” Song and Dance Ensemble of the „Kişinevstroi” Company, the flute student switches to the pan flute, a lesser known instrument at the time in Bassarabia; his first performance as a pan flutist occurs as part of the above ensemble (1967-1969).

 Is invited by the „Moldoveneasca” Folk Orchestra of the Chişinău Central District to participate in several performances abroad, in Czechoslovakia, organized by the Association for Friendship with Foreign Countries (1968).

 

1969 – 1971

The „Telefilm Chişinău” studio launches the movie „Orchestra Folclor”, followed by “Songs and Dances for the Pan flute”, which introduce the debuting pan flutist Vasile Iovu (1969, 1970).

Joins as a pan flutist the newly established „Folclor” folk orchestra of the State Committee for Radio and Television, at first as a contractor (1969) and then full time (1970). The orchestra is conductei! by the same Dumitru Blajinu.

At the same time, collaborates with the „Mărţişor” Folk Orchestra of the Youth Club conducted by Serghei Ciuhrii; travels to Bulgaria for several concerts (1970).

In 1971 travels to Vilnius to meet the internationally renowned pan flute maestro Gheorghe Zamfir, who offers Vasile Iovu his first professional pan flute lesson.

Graduates the Art Institute „Gavriil Musicescu” with the degree „senior cultural institution associate; folk orchestra conductor” (1971).

 

1971 – 1973

The fresh graduate and member of the „Folclor” Radiotelevision Orchestra enrolls in the Soviet Army as a flutist and pan flutist in the Song and Dance Ensemble of the Odessa Military District.

In 1972 returns to the „Folclor” Orchestra, which in addition to his pan flute, included at the time seven violinists, two dulcimer players, two accordionists, two clarinetists and a cello player. In this formation, the orchestra conducted by Dumitru Blajinu adopts a repertoire and performance style which promotes authentic folklore. Records for the Radio-Television his first works with the pan flute as a solo: Sârba lui Iovu, Melodie de dragoste, Joc bătrânesc and others.

First participation and first laureate distinction at the National Competition for folk musicians (1973).

 

1973 – 1974

Becomes known in the Soviet concert space by participating in the Soviet Union Folk Musicians Competition, where he wins second place (in Voronej, 1973) and at the 5th edition of the Sovient Union Pop Artists Competition in Moscow (1974), where he wins first place. (At the same competition, the future Russian pop star Alia Pugaceva also wins first place.)

Supported and encouraged by the artistic director of the „Folclor” Orchestra, Dumitru Blajinu, Iovu signs his first folk-style works and arrangements for the pan flute and folk orchestra (Dragă mi-i de codru verde, Cânt de dragul tău, Hora din Grozeşti, Sârba lui Iovu and others).

Continues to learn from maestros Gheorghe Zamfir’s experience, who gives him his second lesson, this time in Moscow, on the occasion of the Romanian artists tour in the USSR (1973).

As part of the „folk instruments” department of the Art Institute „Gavriil Musicescu”, opens the first pan flute class, with Iovu as founder and first professor (1973).

Marries Margareta Pânzaru, graduate of the Art Institute „Gavriil Musicescu”, subsequently director at the State Television Committee; their marriage lasts nine years.

 

1975

Undertakes his first tour in the West, to Holland, where he plays in several concerts with the “Mioriţa” Folk Orchestra (a sporadic collaboration); maintains his pan flutist position with the „Folclor” Orchestra.

His third meeting with Gheorghe Zamfir takes place during his first private trip to Romania, this time in Bucharest; the „Maşter of the Pan Flute” presents his Bassarabian colleague with the „Pan Flutc Treatise”, edited by Gh. Zamfir in Paris, and another lesson in the „pan flute art” generously offered to the artist from the left bank: the Prut river.

Doina, his only child is born, who will later follow her mother’s path and become a TV director.

 


1976 – 1980

 Meets Gheorghe Zamfir again, on the occasion of Zamfir’s tour in Moscow, and asks his idol for another maşter class (1976).

Plays the solo part for the pan flute in the Symphonic Poem „Pe un picior de plai” by Tudor Chiriac, recorded by the National Radiotelevision Orchestra and directed by Gheorghe Mustea (1977); with the same soloist, the work is performed by the Symphonic Orchestra of the Moscow State Philharmonic conducted by Jansug Kachidze, in the Great Hall of the „P.I. Tchaikovski” Conservatory (1979), and again in Tashkent, Uzbekistan, by the Moscow State Symphony, conducted by Vladimir Fedoseyev (1980).

Along with the Song and Dance Ensemble „Moldoveneasca”, participates at the World Festival of Youth and Students in Havana, XIth edition, and wins the gold medal in the „folk instruments” section (1978).

The Studio „Telefilm-Chişinău” produces the TV movies „Musical Pictures” and „Vasile Iovu Performs” (1978).

Still part of the „Folclor” Orchestra, his list of folk-style works gr longer and includes arrangements and orchestrations for various wind instruments (pipes, ocarina); these works also win first prizes in competitions organized by the Ministry of Culture (these include: Doină şi Horă pentru caval, Hang şi Bătută pentru orchestră and others).

At the invitation of the Folk Ensemble of the Youth Center „Iuri Gagarin”, participates in several concerts in the German Democratic Republic and Federal Republic of Germany. Participates with an instrumental band at the World Expo in Brisbane, Australia (1988), culture section.

Travels for the first time to the United States, where he performs with Simion Duja (clarinet) and Petre Neamţu (accordion) in several concerts organized by the Committee of the Soviet Youth Organizations in Atlanta, New York, Washington, and New Jersey (1979).

 

1980 – 1984

Joins other professionals of the genre, such as Simion Duja (clarinet), Ion Carai (trumpet), Ion Neniţă (accordion), Efim Zubriţchi (violin), Iacob Lungu (base), as part of the Folk Orchestra „Mioriţa”, and tours France (1980), Japan (1983), Great Britain (1984); these tours are monitored by the Association for Friendship with Foreign Countries.

The artist’s notoriety grows, and is captured by the movie „Maestro”, produced by the „Telefilm-Chişinău” Studio, after being awarded the title of Honorary Artist by the authorities.

At the Winter Olympics in Lake Placid, USA, the pairs figure skating dance by Irina Rodnina şi Alexandr Zaiţev is accompanied by the Sârba din Iablona performed by Vasile Iovu and the „Folclor” Orchestra.

Continues to sign arrangements, orchestrations and original works included in the repertoirs of folk singers Nicolae Sulac, Nicolae Glib, Valentina Cojocarii, Teodor Negară, Angela Padurarau, Veronica Mihai, of instrumentalists Serghei Cuciuc, Ion Carai, Leonid Moşanu. Performs in a memorable concert with Valentina Cojocarii, soloist of the „Folclor” Orchestra, on the National Palace stage.

At the International Folk Festival in Great Britain, Vasile Iovus pan flute solo, accompanied by the „Mioriţa” Folk Orchestra, takes center stage with the folk masterpiece Ciocârlia and wins First Place in competition against ensembles from 30 countries (1982).

The artist’s mother, Maria, dies (1981). The Organ Hall concert, together with the organist Anna Strezeva, inaugurates the pan fluteorgan communion; his Doina and Pastorala works, along with În amintirea mamei (In Memory of Mother), recast the capabilities of his instrument in a different dimension relative to the organ (1982).

The performing and studio life as part of the „Folclor” Orchestra is completed by his teaching life; his first graduates (Nelu Laiu, Constantin Moscovici, Gheorghe Danilescu, Vasile Bejenaru among them) benefit from the first edition of the “Pan Flute Method”, signed by the university lecturer Vasile Iovu (1982).

The composer Anatol Chiriac requests his participation for the recording of several of his orchestral works (Silvia, Plai, Dispoziţie) in Moscow, with the Symphonic Orchestra of the record Company „Melodia”, conducted by Boris Frumkin (1983).

 

1984 – 1986

The leadership of the „Folclor” Orchestra, where the wind section is dominated by Vasile Iovu’s pan flute, is transferred, by competition, to Petre Neamţu, who brings a different style, while keeping the authentic folk repertoire, including the doinaş, ballads and suites of songs for various instruments, orchestrated by the pan flute maestro.

Continues to participate in festivals (Tashkent, Soviet Folk Festival), while the tours organized through the Association for Friendship with Foreign Countries together with colleagues from the „Folclor” Orchestra take him to more exotic destinations: Philippines (1984), India, Sri-Lanka (1985), Nepal (1986).

The Cantata Patria mea by Anatol Chiriac, for choir and orchestra, with Maria Bieşu – vocals, Grigore Vieru – reciter and Vasile Iovu – pan flute, is recorded in Moscow with the Symphony Orchestra of the „Mosfilm” Studio conducted by Constantin Cremeţ (1985).

Facilitated by the same Association, returns on tour to the United States, where he plays in Washington, New York, Minneapolis and Massachusetts, accompanied this time by the folk orchestra of the Arts Institute „Gavriil Musicescu” conducted by Vasile Crăciun (1986).

The Leningrad State Symphony conducted by Iuri Botnari presents the Symphonic Poem „Pe un picior de plai” by Tudor Chiriac, with Vasile Iovu as the pan flute soloist (1985-1986 season).

The only record label in the USSR, „Melodia”, releases the titan record „Vasile Iovu plays”, which includes folk-style music composed and orchestrated by Vasile Iovu, who also plays as a soloist accompanied by the „Folclor” and “Mioriţa” Folk Orchestras, conducted by Dumitru Blajinu, Ion Dascăl şi Vasile Goia.

 

1986 – 1990

Participates in contemporary music concerts, which showcase the music of composer Eugen Doga, organized in the Russian cultural metropolises, Moscow and Leningrad, and accompanied by the State Symphony conducted by Anatoli Badhen.

Records with Eugen Doga several film scores for movies produced at the „Moldova Film” and „Mosfilm” studios in Chişinău and Moscow.

The pan flute-organ duet presents a new program, a combination of classical music and Romanian doinaş and ballads, which opens at the Chişinău Organ Hali before Vasile Iovu and Anna Strezeva take their tour to France (1987).

Written especially for Vasile Iovu, the „Vivaldiana” Concert for pan flute and chamber orchestra by Boris Dubosarschi is recorded for the National Radiotelevision, conducted by Alexandru Samoilă (1985). The first public performance of the Concert takes place on the stage of the National Philharmonic, during the Congress of Composers Union from Moldova (1987).

Former student and his professor, Vasile Iovu and Gheorghe Zamfir, this time two pan flute masters, perform together classical hits at the Cathedral Saint-Julien-le-Pauvre in Paris, accompanied by the organ player Anna Strezeva. The meeting of the two pan flutists, one in ascension, the other reaping the laurels of glory, is made possible during the tour of the Chişinău musicians to France and leads to the fifth and last pan flute lesson, of which Vasile Iovu takes advantage at the Paris residence of the „Maşter of the Pan Flute”. Continues his tour with Anna Strezeva to several French cities: Toulouse, Bollene, Argenteuil, Nanterre (1987).

Folk-style music signed by Vasile Iovu takes the most diverse shapes and genres, from the song of longing to massive scores for folk orchestras (Musical tableau One Saturday Night, in three parts); his music is constantly recorded with „Folclor” Orchestra conducted by Petre Neamţu.

The fourth movie about the pan flutist is “The swing in the valley”, produced by “Telefilm Chişinău” (1988); authorities award him the honorary title of „naţional artist”.

The albums „In memory of mother” and „Prut’s Tears” are released by the „Melodia” record labei in Moscow and the „Eurostar” label in Bucharest (1989).

His teaching and performing activity arouses the interest of the department for folk instruments of the Art Institute in Vilnius, Lithuania, where he is invited for an exchange of experience together with his colleague, clarinetist Simion Duja; while there, witnesses mass protests, with hundreds of thousands of people, which ultimately extend to other Soviet republics and lead to the dissolution of the USSR a year later.

Gheorghe Zamfir performs in his first concert on the stage of the National Palace in Chişinău, with Bassarabia’s first pan Autist, Vasile Iovu, also participating (1990).

 

1991

Marries Maria Strătilă, soloist in an amateur folk music band from Şoldăneşti, and later, able manager of a food company, “La Maria” (cafe-brasserie and restaurant), a family private property.

After the network of associations for friendship with foreign countries and their mission to spread the “Soviet way of life” through Soviet artists ends with the fall of the Soviet Union, the first getaway is to Paris: Vasile Iovu and three other professional musicians from Chişinău are hired for several months with the „Bateaux mouches” excursion boats on the river Seine to entertain visitors of the French capital with cafe-concert music and Romanian folk hits. Performs in a concert at the “Etoile” Hotel for the Royal Family, with King Michael of Romania and Princess Margareta in attendance; is accompanied by the same Chişinău musicians; Gheorghe Zamfir and other Romanian expatriate artists also perform.

The artist’s father, Gavril Iovu, dies.

 

1992

With the access to Western stages being now open, establishes the Chamber Ensemble „Vasile Iovu”, and undertakes long tours to Germany, Austria, Switzerland and France. Consisting of two violins, a clarinet, a dulcimer, a base and two pan flutes, one of them belonging to the soloist Vasile Iovu, the ensemble especially shows off the pan flute, which does double duty as both classical and folk instrument. As a sign of his artistic stature, first Muscovite managers, then those from the German Agency „Althoff”, who specialize in the former USSR space, organize tours for the „Vasile Iovii” Ensemble to the most prestigious concert halls, such as the Berlin Philharmonic, „Mozart” Hali in Mannheim, „Beethoven” Hali in Bonn, Congress Centre in Strasbourg, and Votive Church in Vienna.

 

1992 – 1995

A performance on the stage of the National Palace with the pan flute Gheorghe Zamfir – Vasile Iovu, accompanied by the „Lăutarii” Folk Orchestra conducted by Nicolae Botgros (1992) is followed by the Celebration of the Romanian Pan flute, initiated by Vasile Iovu and animated by his invitees, pan flute artists from both sides of the river Prut (1994).

The „Folclor” Orhestra, with Vasile Iovu as the soloist pan flute, is invited to accompany participants at the festival-competition „Maria Tănase” in Craiova and „Crizantema de aur” in Târgovişte (over eight years beginning in 1992).

The „Vasile Iovu” Ensemble continues to tour, year after year, Austria and Germany, where they record, in Cologne, several CDs with 15 other members of the „Folclor” Orchestra.

 

1995 – 2000

Gives a memorable performance, with Gheorghe Zamfir, on the stage of the National Palace (1995), as well as in premiere shows in Chişinău, at the Organ Hall, with the „Vasile Iovu” Ensemble, showcasing a program presented during their European tours (1996). The authorities award him the title of „Civic Excellence” (1996).

The Ensemble’s tours in Austria, Germany and Switzerland every time include a different program (Mozart, Bach, Chopin, Schubert, Tchaikovsky; series of folk tunes for each instrument of the ensemble, especially for the pan flute); these concerts grow to educate, over time, a stable audience of Pan’s flute’s admirers.

Loyal to their friendship lasting more than four decades, Gheorghe Zamfir and Vasile Iovu meet again on the stage of the prestigious International Golden Stag Festival in Braşov (1998), then on the sta^:-of the National Palace in Chişinău, accompanied by the “Creator Folk Orchestra, founded by the businessman Iurie Borş (1999). The two Romanian emblematic pan flutes are joined by the pan flute ot Igor Podgoreanu, a former student of prof. Vasile Iovu.

Records and edits in Austria three CDs with the most representative concerts of the „Vasile Iovu” Ensemble (both classical and folk music); these CDs synthesize the pan flutes travels and his artistic approach in the Western world (2000).

A new horizon opens, China, which he visits as part of a group of artists from Moldova; his pan flute is selected to represent the national-universal traits of his cultural space.

The National Chamber Orchestra and the „Lăutarii” Folk Orchestra accompany Vasile Iovu’s pan flute at the World Expo in Hanover, Germany, the culture section.

On his 50th birthday, Vasile Iovu is awarded the National Prize of Republic of Moldova and the Order of the Republic, and gives an anniversary performance at the Organ Hali together with the „Folclor” Orchestra, „Vasile Iovu” Ensemble and Anna Strezeva’s organ.

The National Television dedicates several shows which expore his cachet with concert-going audiences („Pe un picior de plai se cântă la nai”, „Vasile Iovu, pan flute poet”, „Stars in recital”, „Vasile Iovu performs”, „Encore” and others).

 

2001 – 2005

The pan flute university professor (since 2001) at the Academy of Music, Theater, and Fine Arts in Chişinău is invited to hold maşter classes at the International Pan Flute Conference in Zürich, Switzerland, where Pans flute has been studied for 10 years.

Participates in the Celebration of Romanian Christianity, 7th edition, organized by the St. Virginia Foundation at the „New Jerusalem” Monastery in Pucioasa, Dâmboviţa County (2003).

Juries various competitions in Chişinău, Bucharest and Braşov, including as jury president of several naţional and internaţional folk instrument competitions, where high school and music college students participate (in Chişinău, competitions „Barbu Lăutaru” and „ Eugen Coca”).

Releases three new CDs, „Ave Maria” (2002), „Meditaţie” (2002), „Legenda Basarabiei” (2003), which include recordings of classical, pop and folk music, as well as own folk-style compositions, with Vasile Iovu’s pan flute as the soloist. In addition, „Love is like a flower” is the first and last CD of spouses Maria and Vasile Iovu, recorded with the „Folclor” Orchestra conducted by Petre Neamţu (2004).

With new members, but with the same leader, the Vasile Iovu” Ensemble continues its annual tours to Austria, Germany and Switzerland. At the same time, in Chişinău, where the political climate becomes hostile to the naţional and European spirit, of which Vasile Iovu is a representative, the leadership of the Moldova Radiotelevision terminates his soloist position at the Folclor” Orchestra (2004).

Nevertheless, he continues to teach pan flute at the Academy of Music, Theater, and Fine Arts in Chişinău, and to tour Europe with constant success, as recorded by various media, including the German media, who caii Vasile Iovu’s performances as genuine “Festival der Panflote” - “Pan Flute Celebration”.

Vasile Iovu’s pan flute students end up on the podium of the International Golden Stag Festival in Braşov, where 33 pan flutists from the left bank of the river Prut participate, accompanied by the “Lăutarii” Folk Orchestra from Chişinău conducted by Nicolae Botgros (2004).

The Ukrainian harpsichordist Natalia Sviridenko and the Bassarabian pan flutist Vasile Iovu release, in Kiev, a program of classical music, marking the debut of the harpsichord-pan flute duet (2005).

In Chişinău, participates in many cultural events, including, together with Gheorghe Zamfir, the tribute concert to Grigore Vieru at the National Palace to celebrate the poet’s 70th birthday (2005).

 

2006 – 2010

Rejoins the Folclor” Orchestra, which ceases to be part of the Moldovan Radiotelevision and is reorganized as an ensemble under the direction of Petre Neamţu as part of the National Philharmonic Serghei Lunchevici” in Chişinau (2006).

Fifty pan flutists from both sides of the river Prut, including alumi and students of Vasile Iovu’s classes, participate in the folk music concert on the Romanian television channel TVR 1, dedicated to the integration of Romania into the European Union. The concert is led by the Lăutarii” Folk Orchestra conducted by Nicolae Botgros (December 2006).

The Vasile Iovu” Ensemble continues to expand its tours to Italy with the assistance of the Vatican cultural attache: Rome, Venice, Florence as well as many cities in Sicily and Sardinia, which are added to the successful record of territories” conquered by Vasile Iovu’s pan flute.

Plays in Iaşi, in Dacofonia no. 1 by Tudor Chiriac, together with the Symphonic Orchestra of the Iaşi Philharmonic conducted by Romeo Râmbu (2008).

Continues to play in Chişinau either together with the Chamber Orchestra of the Organ Hali in classical music concerts, or together with the Folclor” Orchestra, which accompanied his entire artist:: career. Publishes the second edition of the Pan Flute Method” in 2008, a revised and supplemented manual which represents a synthesis of his performing and teaching experience accumula:e d over three decades.

His wife, Maria, dies untimely (2008) and, a year later, the artist dedicates to her a performance of the grieving pan flute, A love broken by fate”, which merges a personal expression of sorrow with the lyrical beauty of music into a single dimension, that of immortal, albeit lost love.

Vasile Iovu’s pan flute recitals accompany Vasile Şoimaru, the author of the books Communists’ Downfall”, “Don River Bend” and the album Romanians around Romania” (in two volumes), on the occasion of their launch in the counties of Iaşi and Neamţ, in Sighetul Marmaţiei and in the Transcarpatia region of Ukraine, inhabited by Romanians (2009, 2010).

Accompanied by the Ciprian Porumbescu” Ensemble from Suceava, participates in the cultural events dedicated to the 650th anniversary of Moldova’s dismounting” (2009).

The Chişinău Organ Hali resumes performances of the pan fluteharpsichord duet, launched in Kiev by Natalia Sviridenko and Vasile Iovu.

Launches the CD Dacian Echo” and re-launches the CD with the recordings of the late Maria Strătilă-Iovu, which are supplemented with new pieces and with a new title, “My Sacred Everything”.

 

2011 - 2015

Is the guest of honor on the occasion of Gheorghe Zamfir s 70th birthday anniversary, and the two maestros peform together again, accompanied by the Ciocârlia” Folk Orchestra from Bucharest (2011).

The Chişinău cityhall awards him the title of  Honorary Citizen”, which allows him to take adcantage of certain social Services (2012).

Five years after the death of his wife Maria, marries Natalia Postoroncă, also widowed from a prior marriage (2013).

Releases three new albums, Ave Maria”, Clasic” and Divertisment”, which represent a selection from the repertoire of the Vasile Iovu” Ensemble, predominantly with a solo pan flute.

Together with the Folclor” Orchestra, participates in the three shows titled Christians in Europe” in Cahul, Cimişlia and Orhei, organized with the support of the Romanian government and dedicated to the 300th anniversary of the death of the Brâncoveanu saints, as well as the 300th anniversary of Dimitrie Cantemir’s acceptance in the Royal Prussian Academy in Berlin.

Vasile Iovu’s pan flute and Vasile Şoimaru s books dedicated to Romanians everywhere continue their pilgrimage in Bacău, Paşcani, Piteşti, Braşov, Alba Iulia and again in the Transcarpatia regior. irci Cernăuţi in Ukraine. The book tours are accompanied by par flute recitals meant to keep alive the sense of naţional dignity and identity (2011, 2012, 2013).

As part of the Music Festival Mărţişor”, performs several concerts in Karaganda (with a recorded orchestral accompaniment), at the invitation of the Dacia” Cultural Society of Romanians in Kazakhstan (2013).

The Vasile Iovu” Ensemble establishes the first cultural contac: between Moldova and Qatar, and performs its first concert in : e capital Doha where the Qatari audience has a chance to listen : r first time Romanian folk music and Vasile Iovu’s pan flute.

Vasile Iovu and the Lăutarii” Folk Orchestra conducted by Nic Botgros perform at the Palace Hali in Bucharest in the extraordinar show Born in Romanian” organized by Romania’s government and the Bucharest city hali on the occasion of St Andrews Celebration and the Day of Romanians Across the World, which also commemorated the poet Grigore Vieru’s 80th birthday (November 2014).

The archives of the National Radiotelevision preserve approximately 500 works by the composer, arrangements for vocals and instrumentals, as well as recordings of Vasile Iovu playing the par. flute, pipes and ocarina.

Receives the Cultural Merit” Award and the Officer rank of Romania (2015).

The source of information: the book writtne by Rodica Iuncu, Păstorul solitar sau Naiul lui Vasile Iovu, edited in Chișinău, in 2015 year.